Rodney And The Blazers - Oriental Nightmare

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Review by Gunther Soto

Oriental Nightmare, the latest album by Rodney and The Blazers, is a mesmerizing and captivating musical experience that takes listeners on a journey through the exotic and mysterious sounds of the Orient. The album features a unique blend of traditional Eastern instruments like the sitar, tabla, and dholak, combined with modern Western elements, resulting in a fresh and innovative sound that is both exciting and intriguing.

The album opens with the title track, "Oriental Nightmare," which sets the tone for the rest of the album with its haunting sitar melody and hypnotic beats. The following tracks, such as "Mystic Journey" and "Temple of Dreams," continue to transport listeners to another world, with their intricate rhythms and intricate instrumentation.

One of the highlights of the album is the track "Silk Road," which features a beautiful duet between the sitar and the violin, creating a mesmerizing and otherworldly sound. "The Last Emperor" is another standout track, with its epic and cinematic feel, reminiscent of a grand adventure film.

Table of Contents

Tracks

TrackDurationPreview
Oriental Nightmare2:10
Warpaint1:45

Video

Rodney & The Blazers - Oriental Nightmare

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Catalog Numbers

45-150704

Labels

Kampus

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Formats

  • Vinyl
  • 7"
  • 45 RPM
  • Single

Notes

  • Oriental nightmare is the A side as noted in the Matrix/Runout on both the label and dead wax-A.
  • Kampus Records from Kansas,USA.

Barcodes

  • Matrix / Runout (A side Label): 880-45-150704-A
  • Matrix / Runout (A side runout etched): 880-45-150704-A
  • Matrix / Runout (B side Label): 880-45-150704-B
  • Matrix / Runout (A side Runout etched): 880-45-150704-B
  • Rights Society (A side): BMI
  • Rights Society (B sie): BMI

About Rodney And The Blazers

Born in Coffeyville, Kansas were crossing the country as rock & roll throwbacks, a raucous, wild combo that was more Little Richard than British Invasion, and more R&B than pop. Although they didn't manage to break out nationally, they recorded a plethora of outstanding sides in varying styles and proved to be a very influential Midwestern band, employing both a saxophone and a trumpet (expanded into a full horn section later in the decade by admitted fans Chicago) and touring as one of the first truly biracial aggregates. Bass player Rodney Lay Sr. and drummer Bob York kicked around together in a band known as the Off Beats throughout the last couple years of the 1950s. By 1960, with the addition of Bob "Sir Robert" Scott on saxophone and Pete "Peaches" Williams on guitar, they had transformed themselves into , named after their habit of wearing blazers instead of normal jackets for their stage show. It wasn't their only idiosyncrasy in appearance -- they also dyed their hair silver and wore sunglasses onstage. Don Downing was soon added on piano as well as sharing lead vocals with Lay, and they were soon playing regular gigs every Friday night at the El Rancho Opera House located between their Coffeyville hometown and Independence, KS. That summer, they recorded and released their first single, "Teenage Cinderella," on their own label. It became a number one hit in several large markets around the country, particularly in Phoenix, Syracuse, Fargo, and Philadelphia. A Pittsburgh station even phoned Lay to tell him that the city's most important disc jockey had predicted that Lay would be the next Elvis. The single, however, did not have enough distribution behind it to go national (although it was later re-released on the Dore label without the band's consent after Johnny Tillotson's manager shopped it around Hollywood -- the band predictably received no royalties). Rodney and the Blazers kept very busy in 1961. They played at the Seattle World's Fair and New York City's famed Peppermint Lounge, as well as travelling to gigs in Arizona, New Jersey, Philadelphia, Baltimore, and British Columbia. They also completed a six-week tour with Bill Haley & the Comets that ended in Mexico City, upon which all but Lay and York left the band. The two returned to Coffeyville and set about putting together a new band. Over the next couple years, various members including Gene Bongiorni, Sam Beck, Skip Knape, Chan Romero, and Dennis Winton came and went as the band continued playing throughout the country and in their home region. A teenage Leon Russell was a huge fan (and perhaps borrowed his silver hair/sunglasses look from them), always turning up in the crowd when the band played Tulsa, as was future Bread leader David Gates. For a while the band featured a female vocalist when Mary Taylor joined up for some Las Vegas shows. When Jerry Lee Lewis was being blacklisted by the recording industry for marrying his teenage cousin, Rodney and the Blazers even spent some time touring with him. By 1964, the band was making 2,500 dollars a night but spending it just as quickly as they made it on various extracurricular pursuits. Still, they appeared on national television show Star Route that summer and had begun negotiating a possible European tour in 1965, but the band ended up breaking up soon thereafter. Lay and York continued to work together throughout the intervening decades, forming various bands, most notably , which joined Roy Clark on Hee Haw in the 1980s.

Name Vars

  • Rodney And The Blazers
  • Rodney Lay
  • Rodney Lay With The Blazers

Members

  • Rodney Lay
  • Bob York
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Summary by Gunther Soto

Oriental Nightmare is a highly recommended album for anyone looking to explore the world of Eastern music and experience something new and exciting. Rodney and The Blazers have created a truly unique and captivating musical journey that is sure to leave a lasting impression on listeners.

Comments

incessantly
2023-06-23
UKA UKA!!!
artstar136
2023-06-23
soooo fu***** Hot
DMCA